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Mike Basher Fine Art

  • CYPRESS STUDIES
  • HUNTING ISLAND STUDIES
  • RACHEL CARSON RESERVE
  • POUND NET STUDIES
  • GHOST FORESTS
  • DUNES
  • ICELAND
  • CALIFORNIA
  • THE SOUTHEAST
  • THE NORTHEAST
  • THE WEST
  • ABOUT
  • NEWS
  • CV
  • THE PRINTS
  • COMMERCIAL WORK

CLINGING FOR DEAR LIFE

The Making Of: Carolina Beach I

April 17, 2017

Sounds a bit critical, but to me, composition is the single-most important element of a photograph. This particular image was composed a few times, while I balanced atop these piers, making subtle movements with the tripod, even moving to different piers (trying not to get wet), until I achieved the composition I was looking for. Then, ONE exposure was made of it, on a single sheet of film.

Putting the camera in the right position is everything...well not everything, but it's critical. Take the composition of Carolina Beach I (below), for example... That little nubby guy there. The one that juuuuust creeps into the frame of the final image below. Too much of it would be a distraction at the bottom of the frame. Had it not been included, there would be a visual void in its spot, and the first piling on the left would feel too close to the edge of the frame.

Without getting into a light quality discussion, camera placement, combined with lens choice is...well...everything in black and white photography. We can't rely on the beautiful colors of a sunset like this one to salvage wonky, unbalanced compositions.

Carolina Beach I, 2015

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